Arko Arts Center of the Arts Council Korea
2012. 10.11-11.2 (Monday : closed)
Arko Media Project 2012: Unbound Archive is designed to shed light on the flow of contemporary Korean video art, and seek new ways of contact between Video Art Archive and its viewers, focusing primarily on recent single-channel videos among the Arko collections. This project, in collaboration with the Archive, displays artistic practice through video art screenings, archive exhibitions, seminars, and lectures.
15 artists including selected artists of the Arko Media Competition 2012 such as Kim Dohee, Kim Tae Eun, Kim Heaji, Noh Gihun, Lee Geumhong, moojin_bro., Park Minha, Park Sungyeon, Shin Jung-kyun, Lim Sun Hee, Jang Gyu-jeong, and Jang Jong Wan; and artists who joined the production of the Arko Media Critique Series such as Rho Jae Oon, An Jungju, and Jung Eun Young displays single-channel videos and archive materials related to their concerns. The exhibition presents a broad spectrum of artists: leading Korean artists who have consistently worked in video art and rising artists who debuted as media artists. With 20 pieces of animations, documentaries, dramas, and graphic videos showing diversity of video and media art, the Arko Art Center illuminates aspects of Korean video art from a critical perspective and offers multifarious interpretations of video art.
In the subtitle Unbound Archive, ¡®unbound¡¯ refers to a free state, like a book not bound with a cover. Unbound Archive forms an accidental forum created through incessant clashes of hidden histories, memories, thoughts, and contentious issues through a process of communicating with art. They have nothing but disquieting individual events scattered in cultural, social, and political contexts. All archive materials on display at the show such as sketches, working plans, memos, interview materials, and photographs of scenes work as decisive clues for interpretations rather than retaining some value as works of art. Viewers may join the creation of new discourse as active interpreters and use the extended archive to collect, preserve, share, and signify fragments of stories that may be disregarded and extinguished.
The project aims to find a process of communicating with viewers, departing from the simple way of screening and the unilateral way of perception. It also reviews the diverse development of experimentation with media art through such programs as Artist e-Portfolio, which compiles archive materials of participating artists in a form of an e-book; opening seminars that celebrate the publication of Arko Media Critique Series; lectures by Laurence Alary, a curator of ARGOS: Center for Art and Media; and a presentation of special works recommended by Arko and ARGOS.
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2012 ¾Æ¸£Äڹ̵ð¾î ÇÁ·ÎÁ§Æ® ºÎ´ëÇà»ç
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10¿ù12ÀÏ (40ºÐ)
Wendy Morris (º§±â¿¡)
Off the Record(2008) 5min
Bully Beef(2007) 6min
Taste the World(2005) 5min
Hans Op de Beeck (º§±â¿¡)
Extensions(2009) 11min
The Building(2007) 4min
Gardening(2001) 10min
10¿ù19ÀÏ(46ºÐ)
Till Roeskens(ÇÁ¶û½º)
Videomappings : Aida, Palestine (2009) 46min
10¿ù26ÀÏ(100ºÐ)
Jean-Pierre Dardenne & Luc Dardenne (º§±â¿¡)
The Son (2002) 100min
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